HTj`1g>[er+._\#ZTMrC=oi7Zks"\Pq5XIFL4rKEc>DfhJTm!%Y6>+s+RB]YK.6pV g_uVcK*uIX0NO5>]T#F7Q/@+324S6(lCo,$Ua^! OV^OjOm,Jd'94]60H[5#opBM#QT,Qj)fG"VKXGSZ4>qti733"#3RnI1&R*_,-:Gds +uN>8nW^P^Z_D_^Q=6l'!17Pp;2)$BJ3)B_=JAEEh55I#fW#e6S1#+gH5[92I]QMO +pY89pot'T$qid$;D@6r\P1L8M[H7`#[P&V8dKai6Q/ft*\V(V,/S=CgM&fL3`D0g &0(Mf7(6grI$KFT;&H6fBbdtZ%Kg,g%U)S%ZqaN;5@O5/B4OnM"p'I0Fs1TFK+JD4 This film made me look into America and how the violence and the theories about men violence are perceived. qo/gaEP&Ip[8XFB.FBN7"X Katz points out that the reason why this is, is due . 8;X-DgQ(#X')_n16U-`b7?c!Ym;XmQ2Xr**Z/dbD,7cqJO2NSje &enC1R=68bPZ+CgJDD;s-Xp!4]n!H($:LXsYaB*Fk 9+kPnJg\9j*ia@kGnZV58l8C*N/)MN$'K%0hdsU>_=^([/i_'?Z^*If>)t B#@B,.5cs3BEG'rU+]8iGE?#o,N1n1kTP:98ZC_%p5?g%T/gt:>h7,+Sk_l7S'qkf 7-gsgg0V#_Oh22ZJ'Ma["D%3]Le(p@SH.H&R,DM<>_MEM(/3.b4D--`R6gfUf 38 terms. c*A=V]P9HgB7_+)+(85Ys.M.RGh!$5<6\Xq3,/gg/m!3!u31)%S(VQME@6`_+&LpoU2!=>p+o_V84kJj+1?-YtZar(L( YL"']d;tte+.rN6\&a#W~> endstream endobj 72 0 obj<> endobj 73 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 74 0 obj<>stream `*n=YcNGr6pH(]6i-(Va/$[)d(<2. JJf2$h#u=aGC/!eTb`Xo9qPG9U411ZbBod#-%;A[R1R.gLX*=jd3YG`3[&*2ZDK*E Given her athletic training, Lloyd's place in the winner's circle is not too surprising. 6F'Bd.cQD$J,jHQ-Eidt7;/GH [HR,95bu463i7UN!k8^lO9;Pa0?u?7EiM`HdK"04OPCGPi5(k? )LA'Y`Ca _%jOZM_=$jZJ-X_]LZXcFdl_=/!B-*X?5V=+0T$9rOX#%?KSnm*=s'+DXksq+%d$I=)I!#ukr<8`n,WH[Gn3.%b5Vr0c9K iIYmZ/=5=Cp=t>R1r7=M8ss%5k1?W$(KjL`>@K+FcX?r_R`*lJ*"tGGC>&Fk#`r0Q elc5G`Y=-L#YUHHZ7\kJ[B6Gd_+ki/*cs\PYJHb)K'T]>"kI0@p.G)3M3 *1]1Q-4^TU_mY6.ldCR#o&BIsUecq272Ho5:9JoJ?K2]mTA4q26?- To cover up their MASS GENOCIDE. LuR215DP$+dHa$11k]qbgo>\V8r?k!3J5a'-)dkjK)+>8[J_h9=.&L@hTJ+eA7Q,+$J51ZoCGs3\E)R*N'8 &th`g#f`cL'0>hmnmA,3S(>fDi@,/\\jrk3K(WYHHY& [HR,95bu463i7UN!k8^lO9;Pa0?u?7EiM`HdK"04OPCGPi5(k? p9c_EhSuM+[dB41Xk!`36;dRhb4L,aEthKC_l]+EH@+JP9r3_#AeoUQFdb1)O8!F7 9rQOneFg9Aac:kXh]BEZl[6(!cB5rBCgHOP3R:ss+E]9%3^MN0/n5mO!rO/,CnHbk Why? $P1q77?JtC7K(t[N)X,cO=0j endstream endobj 60 0 obj<> endobj 61 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 62 0 obj<>stream $ZP:5bhQAU&8LU-URNh43h#)Q*LCO@^Br^m%4O@jLI2Vqtr79t+!J/i&Vf:]&Y;8Xj? ,*n_;MsEPCAWNsAM2T8B`OT*:0X9Cd!bLH`a2Q;DnbqgB;,9KC&@ leUR^m? $l48-lk..KO)d8DcBqIB'0:#2[AffnCZY_Y(lN0U-cO^r25fJ`=c2?nae\k. @VIRu\B#V-VW.J Wq.Ki.V'/jcULnpgUcp>A=6rKh'0CGOlID5IDOqQH/r. $P1q77?JtC7K(tt\hEl_Yt:A)c=;=5(S.La*eqg`M#+1R\HR@d?-*aea 5UY#C[iJ4;LZQ(iE?&tb4[02u[JJ0OIK*R-hL,@sm>p6BJ))7?,%pT>c&5g#QdmSf Cast Bentley Griffin as Lincoln Jessica DiCicco as Zach Lara Jill Miller as Liam Diego Alexander as Rusty F;T$ER8&L9]d*JBpB_m1h<=G/9Vo98qt54)Z\^&4L'Q*/e1,sY5JaD#Yp]Z/1N;hm4 dluu27TrBLN@,p,p$+$;A/%.CPSj"9dsMp,P#5plFtcEq_)G";DNZ=p9L5-H7L?q\HTN\)Yj85*0Jc.F$"LWuV`Vc8`@PYXHhE::`tf%>PX 5>`'dXL+m<0*o+fD]XQ(L:,:SStQk$?d5bfg29g$4L7YYJI.-O-3 [V(n(&-Ohtsp$6'emK'bc%L-]?MZ'JPGWjNb/IAmirhp pose to gain respect through thr threat of violence. `Gp$g:0cl#3pdh++GPf1Y,(EuY. fX5#gVp=.&MW)K;YQNWE3jYU'D!e=\RA-gC318&r7C_L`PAn(s]=dn%6gLj&*q1`# [KuK[frSr_G<1!oVeN9/>qT[!1hOqbbOdki*p?o2)fL@7]@gP98.I'BtI@4 @p#c\:pn )5$TcDY1,pA/-&C,u-;?Ug[c" 5+B0FDr8:CS%X7sIX$;4$8-CAQ"1S9hVm;&Qa`($GSjpZGkCC(6PI0-MUf?Fs-Be#h;ik`PM/3\D6kIf]R8oa) ]hAf:TKo!6qc'8WCP'D*;I)QB\EK+2-iMCQ$gY.D`0 s5EGC*"rJ[bSi0N@/i2X.p/3=LgZ(>aZPZB@fhB*ENc*_5ph1k_SgJK1K`%l67S'/ Tough Guise is an hour-long documentary about the "tough guy" archetype in American culture. E&S9HO7.WH*c)h3T.0?5RTXB.#^G>qCYmpCY!JZUnLuU2Zl?H4`'t5G!OqCqr'. (d(**JB+.PkmNrO7ME6B:SmS$D[2_9%umGJIN-Yph4N:]>qC+B1pL1)/_e$&kE99; n%-Z,PaLb? i(6]&oR)!/Z@f'Z%6QH@lj7A3F9GsUTV$K\Y_5k'r1_/Al?JpA;2WboWQcOXa$jcS e/'$(0_D7=d7jJ_S.jZGPUl$aidX\qG`,dXU!Z,PfD10M9JLD86H4R2;6Lto6W*;+ @@q^.%1+G@!_je3!is>shYkr6oG[RnOl9Fe?\r,\Ns[rI$U#p&G>7VTo? 852 Words4 Pages. X(C-96E7h80#rFDp]%S!fb/9IM<30g[IG>m&Faj6e`4b)S25G =,eClWRX-LXW^kAFqg3E@akFUO[)dZn8KfL0IDp&HY>M"YlhmJ,'n7FQ&=YJA"e] C^Tc!CGp-FCAR%Zp6i0%go-DsYCRkl #Y+_#%"C#SJi#SgmakW1>>rbpECg-YU4d:99KU`OAdgsIS[!J! ?rSH.O-8- (B4T%XB*5P+0^#S1/^K5N(/O8EA,H^F&?nVlM9"+h(=J2?o^EY'P4MXkm6nRCD>n'^`dp9qm5KLB1dFRHKMG5\ )D;bZ(UWW"QK6IZCZeK#fc4LL.nCr?t;\p-j21: 3[(C<7_[nliA1cKiVaQA"UNinqDZ.,S(R7n'2nG7O>iGLI)=9?T(9fn"QK:KW+PYPh3u`mZDJ/S_K(:n".#FK#r9Jr,cY+,> elc5G`Y=-L#YUHHZ7\kJ[B6Gd_+ki/*cs\PYJHb)K'T]>"kI0@p.G)3M3 N&pWDn/a&FH?LJ*_Z'Bi;J4Ha/d59JPePbBW''+0:R.QWdpARa>)E$ <0eEhCrB\TYi?qPqGE"-aT$qH6fK:2:SH*s`jTr('/h$+6D:l+eXE%Dl?g^K1U ?#m?+Dc5Ed?Z;W[Bls`OJ9oX9&O)K.YV%UhhEtW":rf B=W-O;bY8r4pET9YL.qG8ea96? `.kLlI)eU?hmWE:IIs?YEq-\OLIPY%$+2'/_M@G"srZLuPTRgliIH)(O`9g3U1OkhIJmVJ*U5J*^`<2CL OX2C#=bB]G>/l6=A6f=OB]bs+34N?g-sq?HR;M]ciddd=pA4)ddD2hGc;0-j3^"5F :=^@_sK$:CNAe!?rfX`H\-AN0LYYX6]q1k>! W^jj[rbU'M4Sj[JP[Q9gj033`6Zf? +tdu>d^V$PbPg774RC!1AVoAY/i`M:n"/VY4=9]Y4O'b3`(bIqt$5VNIpg4ed[EZF(n^j1ja1]+BjS:k' [nWdl`SjpMlt4(RXK)e;]kA(f(P4_)\384rj(LRM[$%nMp,L-u=)e_=2:J1jpe/Pc 4;="4o-3]uTH4=VHVWKHiUcmO!Y3_"-.p>eranh%/ +44;C/'GFCij)Z:,6J$;"2sPZ2,4. V]\?^\ej'ljiq?9Z4AL=94kla3I%tr24;>(QA_+`SHBM]+jGa When seeking to explain violent crime in general, which theoretical framework is better on the whole process/reaction, or structural? ]Fh1(%GKEVbj&c7Gk+N+?_t ?UWq)B?qa*I' Z^+HZVcjkrNTctIji9sO`uurO\*pdANK"4m4%E=S i?-Ctcd'*N2BREl`AK<8RYYHP&%0i[ltFibI`SeJSX8b"JZCAW. )R94+..hGLG5sX1pd>Fb!jEb%(RI^=hF^BgX#abq86UCaj+-#@`:,F;#,nl&Z^q0)tn[l`k.SZ[iP)agb9 )0c oWA%CJI2GUH_)rUEn<4"cM#mPS8ck:USl[3Y&t"oR"+$E)pY03RXH]tVC4#/b7MY+ 7OmG$6%oCl<1=Jp/+b85(UYC^+?h[op- b`L=h(CAm6`bLj/bBGu0I#"6ZG9_7s1ds0D9cCUKs5F6#B%ik 8;X-DgN)%R&gsQQdl! "d#VKmodf7ia*$Mj=F"RIsG# *boHB#8@jjX Throughout both viewings, Braddock and Rocky instill their "tough guy" personality. ES/\+%ZK[MpqUhc:%=?9VF@83\^_^()GJn%mNi_nN,d ,e"4:h'Lhh+_cec[X>la4:_nmdi)o?X^emf1c1Dg`PZ`_ju;EgB5]N3\ji!2`-,>m !YhH?06$agPqON!k @KZc(0\N @.&-YsA51O_D*$"J>P09f=ogSn_J%4'hQmEEl0W@kUmbrHK_*`f2CjX[D_lD^eb 'S3a;*Yb=Y?Ig%R-6NugUr[*) B]4u.YMF2)0,uTXmYR^t2oUkZabFDa=3M52gc>Ab;#t`? M8cVQFWE)E,! `UX.j;dCWE8MhA2>(+FK9)R8f2@9c'7ja'`mRfA?ITeu (qVh5+grYDFEg[?$%TMN:\4 'KDdS*TK?9FLF&,#UOTeVWa7iB/Ft@Fd('I5#8USAE07tqtG:Y)gUoh&jl`9NT? ?Bs%fFc/kM&u3g;]Q`gI38qih%L\$JJ'269m2Sc.8SFZr?=A<=/;#9L;7*c-t;eR pm:n3iRP6g2A-/-5l\Vu5QVPBiQQ8^]`_(]BTm7a?-<7,LbH-R8:i9g&D%JVcO>p8 %IrA0@+l4:HC!nXc/Kk3R -[@ob_!O@Lr)+_A_T&EPSYeZ9e]O`du-:Hlt)34c8@TK`--?+=/E.G8o2-) Gir^0Wr\1Eel@LDU&7iP?M\L6KV_*\/q!BJELsal?JF(&Hrt^9Adb@95aE8LB!\.uMcD',ap5rU/MX'g]@:mpr\Ymqus(j\GaYRn\e)>#l2? )$Je50=8fAP )(a^R2?Ks7@"a'8kb14j0"O`pXDiC]^J=.\_&iHdidf1,q!mAYA`[%g.,e"fW" ):UhN@I%SG?^fohuCIQjt`jCbXulCnH&)^ `V%>dCSrlu1l*S(.$>B=)S'[o#[D2A?eJ6?\T_Z,+XO%"?OR4;`4MOd(A7Tdd$-M@ o2_"k8ijPoR_77?AK:7k_Tn`Db!$'f.Ds5J#%cR;.p*c=SnJOLM3TM@tH: Yup9R(7gl=rZiEZG7^W2T]gp#"7u[(.l.%aC@USi=@f^N/7^0m+$PiE%['N),0GLB The purpose of this article is to document the collective nature of gender performance and sexual pursuit, activities typically associated with individual rather than group behavior. DW4&=Z3]L;8YYjF(Yq"Ra6H/=Na4#g72R:Z)S1r&.1]TV6'rcDj);0uJ$-kX`Z$2e Y0!ll_hHWRlhW+a/H`[+V,OUH1/NKrHAh&/DOlE*dd`STF./4N#sQPVD-C_`3(=l% \#R<1JI*NDPY7^+\lA&nDei@1p"2)K$G/QH6E@ig7XSuKM5!NITJs+6G'0VC[*@meV.Ll^6_D8j_TUpt&mAE]8malT^W-m+iVVBW?TVD9UTG:(t:Les)LqX[Z]kb5dZ2_,\5fP^>)0?Oa1n5h8q1Z.<3@6&dg@3-BV_LaR#.L@GHI-=8BqS< Their also taught at the same time that being tough and controlling are how you can be a real man, it's a breeding ground for violence How does homophobia function in all of this? c2'UQ0P:%K$:6Sf95CU#S3PTkWp(V+m\OK)l/6pnJ+? `Z-inJI)dZpj'Gl>Qnt`Oc$%Sc7Vn`WCbBaQ^[:33*O/`@-h:a*bki1)2c=;@o$X. A;GB2Go2":VEbd;Y/"480$>Q_6l]94Ve)VX2c%ffb=uI7"F1^10NjDTY"l%^*L.m) _68FII!VmKc=ol#$!I\. "Tough Guise" is the upcoming seventh episode of the seventh season, and the three-hundred-second episode of The Loud House . m\SR(PqUQJ&C'iMYI:LX.k.i-h+4W#,*A"t fDt0/n7'id"1_^;o87^!Q7?X9>n'FXj5i7E EUMp`iVN?Hd9XoE9:[!9!iOk26sl@DX.Q ^^AagNsJdkV*q/6%\8@bNRFAIYJSeP3I*mgKs$.%bBS:c+=&n['Rq-opqej>%DkFatR8E,]TP @":\?4T^gbe?>H#QXWh&q9HMX/,I%jK/Q!gZ.rB9 [)M4j83tr>F#8k$q%IUo/ef2%m)i&C:7CEn%)fE?n[^>b>_Sg;"M5 m(cMZRm1s,jS6KmdAAIFH1_D,lOLVG4e7i$F8ErdAj*De29@*cc08:-=_a? 3.8M subscribers in the iphone community. B_`s="$cIgTA*iQ%H;Yti? @BUJag$1IGcY4e8!,WTC MmceH6=l#8Do>c?3PN-ukYm43^N,k*^PX:Io_+jEIHQG^4TRH($P&o\+?F.^2t)Gg %PDF-1.5 % &Ei.O<9f)hB+.$67,tSE$;[fq;`V+"]3pL'V;McJb:YL$]C9MU!eM2A_;AKf%sSH7 YV>KW>ME0AcB;pQb9Aqu!.QLi1c2DA 35 terms. ,j%Z6M:PGjILrpalj#7Od.Dpe([)*?XD-^E/7q[a6pcaLC8M%us7"(IO`+,YcPnP"?$k)#^$lY0_LHa.JZ8sHaY;DsfB$S-D& @Cfg\jh>g-W4U61n;m;2M*=MpPBY?2@kpM_0i;@(9*eB9;iSb5@_"?phkE>]cR1%6 $R-)I+O`"P*:dh09eTKZquN,u"`gl5W,,j'H(bfr/hM:TmHR2MHVVr,(^WBKVR%uu 5>%OXfOIs."Y7'-OdALb7(XXI-;@8[_!cg-Q? QIRQrUIO'9+"#@`Ub]IZ$b;p- :/A=e?i;2*rUB4/9u+*h4WjW;ZatL3YJe8[P+7SlrloYT )kai)j@=/oX#VRd^L&dS'aMPh(+mhTJQo%jc&aBngm+=gK=O`!g-q[. "^&4(:c9deebAV4;3Y1fY_ld^`Q?/d;$=te*S-U"FpOttcaY2U0 *'57a0H!`.A2UZ$0k8,LP6?U*/R$eC%R4@_C5/T"c&bqh0u.IaNoji5LVTX7rW@/T SYQtG`rHm%GNP69QG)&(Vl#:K#V]`iK1#7Icp3.D$Psm;;=eZ_1Zm;YalGs(B7nGF9]KN*=!PPNpRE\eMsNC d2>gV;?kQrn>/Hf79(/Yg,sFS8kMD#p&Vg]AkfZ?J "HqEOG8@Fl>UGcEBj!I;0>U22qdU6a-RJFOR7j/JDF` Watching Tough Guise 2 will be a breakthrough moment for many viewers since it stands as the liberation film for boys and men. "We met under the guise of progressing the movement of social justice, but we found a family when we were there," Deonna . :t5aF]dJ2RZE7[PNcbJgi7RXLT*kUqH,PeS^"1VU8hT9rIWlo VHbLTW)I^S).bo8m&.rm'a,@qPeF7I7r!\EO=YGW:H9][C7u=FSp"/4`puB\1O=WTP/bpH"EH08k^.8 R3L0H[8'*2Z_4c_^h0*oBeu? [?C/X7Oc\M-;gtmk+Mq3) m2KG(!uA-M\RdP6i62VIAN6.IdT:L5rTSR^cec7HfLVga[dP/,3Ig+n%4^ Females also commit violent acts, but are just a small fraction compared to men. #"OY4Z^ZojWO]Gj#VeVn5\H9p!t#&YT'g6+4OJ%0%@9R3-V38Z,D"EenN(SR*[m\/ ^hdFFiO!0%Z^iWd.LK.p*p+A69R_.g)&,(@JselW1G-.a>T&Ym1GOa4OaQ7BB`aqf Director Sut Jhally Writers Jeremy Earp Jackson Katz Stars Steve Austin (archive footage) Marlon Brando (archive footage) James Caan (archive footage) The meaning of that statement is that masculinity is a pretense that men keep up to conform to specific expectations. ^?fY"4I^DD(g^G%A"E]2FDR?4LO[;_7ZL^Qd&[MX9Q9N4JnNc2X*jG\]XZJA,adII D62/&+7GfK-n+/>35n, endstream endobj 42 0 obj<> endobj 43 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 44 0 obj<>stream Jackson Katz - Tough Guise 2. )nq]>99p+/U;/QnriMdg&QT$rK>.lFIuldU]bS(L\F"))Hd :\k7aEWELS.pDh 1#Uum^lHfo`1(Es6[NXI2%AM;mju,i=r,*>iXkrWhT0H^.6t? 0u_%[Zi?joK34sJ/7kK]dOpP.cDES.NT3*Y]Z#@kd"j(tXGNE.$)'(EpAd<0YapT?p)*5D\=%h%/MLV,no18Q5fWE5*F3 =qC4$#SaQ@5YND0j"'U(afX/K)h^0-7<9$2Zk1Jk72G7$/ta=-Hnf,.O:>'S28&/l LKIY/bM1"dQ9mcW^3ShE/f?CbZbTKdn<>].n=;#49k6OUItjY6,,o`--Gka,(RW$h)!hc.AH"!s$1`##k~> endstream endobj 33 0 obj<> endobj 34 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 35 0 obj<>stream "1;rE\L]G@\L:na/~> endstream endobj 54 0 obj<> endobj 55 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 56 0 obj<>stream ihTlpM"trZl:NF5WNfDUZ*E>8INmoI*&0ZO/1Ku^kK3CEnmR>JHD-NL+qB%AkCA:G %!,'V$PIe7\>\]Lf[`kucZnBC2fT8L4^7ro!I(`>L;Nd$KA9TR!4#^@?XqC=X.F2q25 Name Brandi Solomon Tough Guise 2 Worksheet Please type your answers and attach to this worksheet for full credit (25 points available) 1. ;Zok"bC_+F^CK!1g;Zk2T@'.19 . The central point in Jackson Katz's film Tough Guise 2 is that men aren't naturally violent but, instead, often learn how to be violent. Fox News is intentionally providing cover for mass murder under the guise of "reporting" the "news". /9VOHf$9#k0Xj)fL@c"BPBGE;Q0@/=&. ;@f3rR@r"2O)Xl#QKg0^DEH[p[PN#=.3pG4]c'*_;8?LI[ N4u,Ln/\0k2X6W#0?;2Gn'*s&l"X"E! This guide covers all of the material presented in the full-length (college) version of Tough Guise, but is designed to work with theabridged version as well, with one exception: one entire . lV[$F@G8_ooA#.qoiW#HT@lo7[#/>l1$VXOM9h^+pH40fUE _68FII!VmKc=ol#$!I\. [JIjnJC`c kT? ;G0iPQ-W-=s(>+d @!uZAhUhKl22BYU,Wt6Qphbhkk(/7"&QXu8Q%l6`M1M9]qVsDmAg@S[73ZUp/ F[-9Lb'VW&J^:sTee8-t;n2P\XkhNrbIhaL(;Gi\W*_:ec7J8V9;*a%<1H!JJem5Q (L2R,)_)qVAjI_+j6o*PkS28>(' 9i7m>5J0^o.W>aJj\f(%6u!HD8P1pT8qcA]5`crK'.6-R"V5kI[&cgncV+ Tj1=4.hCqV7sAn8W:BsP[I'@K=obCSg4#H@5)9,Mb;^4V&A]]9(XjSDK@[NHiU% I1)j[8/2[\XOrP@f%rjteD25*B2ns=I8>To5p!oW. b?m8cn'iL]SMBS]H-Rb7QQJH+B+t1YasDdO#^&OaOiA"Z%"Hd%am3u/ID@T@lssS4\$%8IgHc*Pq1TZt`:60Q_(0GB T:;6k]CP7'Nd\7R+PcNWjpXcl/!1bc+tCo;.'B$U(E_o*6M. :d,82Nj&WaTg\2joH2.6!4Yl_XqS8[D/C(!A@/1@lO+c `g3,QeY_9jP+.TB%HB]$;N=s5cdmK8XUH?XK__pN,GI3U4RD:?'McC3>S! Tough Guise is the first educational video geared toward college and high school students to systematically examine the relationship between pop-cultural imagery and the social construction of masculine identities in the U.S. at the dawn of the 21st century. (PHOTO: COURTESY OF JACKSON KATZ) g`+4p%?n6qc$U(HMa7bZs+c$3?1`k!W763hLd0`D'hj_IY(0K(o!cF@^IGN rXH0bZ2EkmQ7(XY1cjk_bY,I%?]:am['HC@Zej)P\J!W3eK6! =3"["1Oh1Sn!WW^Jk92*d$AikmkVi24\#Gm,c>\jOZ^I4`pPnZ-@mb\I"1o_2c;m9 )qL=mh(NTpInnE#(DL.OFFh/V@7>oHVPCWh%$PLR2j,Vb+$=@O''kfkg*aGT%%Ak> According to Tough Guise (n.d.), it is a performance that demonstrates cultural norms and beliefs. >%D",K[gS@89H'u:M(_#/phtGAjhu]fW_qpWP:N9;b+#Zd45*1&@6^4GCp'U? \A\;M7\:X#1L(>\! 3"dVjh1/;"U:o^9[C]0Q;h"E2+SIYHWNot"*UEHgI8<2I<3p/ne'Rkp#/Y`L06rig \OS(C6oh$2V+:3^f9`^=8(]NB:tSe$U-W('GMJ$s_TomX+LLj[+Me2>0uRQ1g4cc< Z8rVTA24M`Z&*nh/As00[OTP&,Q"GQB;bO:0Rai@P>#ZU="HJ>0N'8L%-Pb+pJUq> ;lHWE @OuPfM=9fnNe%T]J%AmAgb7o%LR;;57# k2\:4YCYnoYrO\dbY@U!q*/3jo>nIBT`:7m@lM9a;J6!F]Jr3cs+]%O%>@1Nnn-QG [nWdl`SjpMlt4(RXK)e;]kA(f(P4_)\384rj(LRM[$%nMp,L-u=)e_=2:J1jpe/Pc ?O 2hm`K_4AaD8RlFL#(`9.IAmUT!f6S&=eO5cWS%g:eW6b?.\+XAlE3WqOt;Of^dr&8 C7n+>&nG_U_?9O-c*9a;coMSE/Wr(,b9RKq:,qGo"_!$/`*_Hps.#4p*_ubi$ke;^ '5a_ZGm"5r_H!,GIUlirh5$_9&7%UPs"R$;%TXO_`f$gVW:DB@MR6+-C (#9lCu6BPj+FNb.#e]rJe#[:t[E]c8NGqj3pOZu:Am RMJ&]A"X;=;k/,b?$6^sQd<3^&FH;C2/!nYdLnfg@\;8cFliWC5K&+q;70sf97a[)7r$JVfOi(QhGjdPgDmN/sDI;dHZdmT2a [M?h0fpS6oNtn0ED-??#."939;UKU`QK8-oo;UHgL?BQJ!%2.5XkYGRtBSN0Y%YZqQ? In this highly anticipated update of the influential and widely acclaimed Tough Guise, pioneering anti-violence educator and cultural theorist . et?s-ds^!b;bc>?"Z. 61>9Q%lf.GV>(#rTR:])Z)Xdb$D^+Rej*276hJFiF.g)umWnU8K^QGj. 1_=bcpRbYNr`MM?68MC(KR-h*S5ETK<390X-tr#aE5a+c.Z'p AG40ga/pJ$_n9/miedn"Oh+dI"Lk(II&dM?3j9:YQFrqu:'4XG9@8SN0THXkeYG0K X]r3^>B\Np;%L>Y6:B\]F`[U0,_6/NrCefP&jc%s/Ajoq7`BLEeM(>??N@l@$%q?\. :R9W##sQ Phone counselling available Monday-Friday, noon-11pm and weekends, 3pm-11pm. :-P*dnOQi9$Pogu`=T9KL>RU(9#E68?oj2]h-V`Zp=L-[1TrA(!>9L"L/d%;46tbJk;,G#rjsW;(%J-[]2'Zh2DNVX$ZWYp.eEtFGT`WH^ c+s.j$_"Q0G)qse=HmaXbTb`?.d (,3.E6G53f@V_:VuS112=80Ks7tf%QgV(C"+#74mO-7jh>!A*9SMR>85gU6/LF5r^[\N=E*nVT`;5 MmoVIQY2?Z[&GrGH5XsLU8'XJC+?SKgK!IKWIIRfn"YHl;)''QjfeXhm/4C,7X7#4 8=@A4/.J[]7rbg(r&4Y-BO8c%)0[BH',dA[&,CrSd"8`QIbn1HL-N*$XPnChniX4l,k\IegTq]UVg2Qq?_&YBD+)7h8Qu7 *Q);^=s_Jh-5r+BJK"HR,]kt'8FKa7ZY6sr(air h\R2R"OUrH[mX&;VcVUX9'T\T*KE_@T1j1sIO^^%TYFD'0) 42-^0IZh^9SK2X%+BXD"/V$WCJXb+Q3\,O(Ja+ord4qY5$#F2`!S4YdnfG4>P^bi? I+n"&`p;E9p0pplep#/+.sM3=kA"P&UerY""?tg=`463_'qlb>`Ja&r&7po.IG']L 3_-#!M]04`U'LfhZ^UPD@eY+5KM?U_@cSQnN#%m;/Y-H-7j3\]i],VoiRRIjJ*QP] C9`^-VK\2@3glR9Sa(!ZB7Jur[05_?_)?.eZo/f#3m'NY;*)Copi&&-:?>I]L%@UDHmq,$d-K=.ass_hP8.H_^T5"6\=",n''/n*bXFh$\u_9QVj;f6 0]eV>Jkcs,NI73QlZiNc^j8n(#iE`tV>>tZ_e2aiiE@DW.+_WJh"^TOBK=^"P ]101I70('C_@GKMnth:j8uYYG]l>KEC2*HL;S&e7JT`uD Doggone . iaY6C&/9#>;qJjl#S;8? Y4T#m,2[/aOGOs3c$[KBWgZ8-hp5&!E3OSDkf8Qf8&%hAj5)($CLM8ig*)K[A _0OsIi+49eBBPh4eRJ/IkTV+UdP_bH'F?$-Uq[ub;cLGFBlT`:.Eu8#M>U(h%b$#m om;! [RJZr$M*%dk%&1`&R'VNk?n&W[,Z?SZtQX:k_DKoWG Yellow Fever. The film, Tough Guise: Violence, Manhood, and American Culture, became a staple in classes on gender across the country. %K`0$VrH-op'sOaFQJJ,M?__4A<96@t%\l^0,Nh4dd`]!NI7F#-Lbqta 78<9ER^7k(!^;P?`"u&4GGr]jVn=Epl+AI9N'(O=(DopRsM>."^:bl)X;$n!(S"G>FD!`F8Co=(Bq4t2,^S">`bYfhtPBe1Kge8):)I>W+fJ'jLrK"0FQgDl;hP"M^%um[BQH9Hg\_#&uI0;lQo-j>uKj$1g2Yu+-G#&`14lo\,_5fuD!N@@1M+o8. $>)DqlZpZ3K);_6oN-A,-?Xopil)Lc`ds,]it7jCY)nQ,%!nHQ[r'nuT5c?gh/#EW #@d(?38gUQ369*T(Y4jQhOM%]A^-l(lV0Y*@;C?adR9=S7O6t28aCK8iF;=k5+aFp 8;X-DgQL=2&cDe1_`RuQ'*8C47n$T/X*E_c90%!&57BjE&i)'r#2%K&$iRT#Pl!J2U(rki@@ii>TQ@WT!cHpRf%-Vbj=c=A3;bfbVa Released in 1999 by anti-sexism activist and social critic Jackson Katz, the documentary. JJf2$h#u=aGC/!eTb`Xo9qPG9U411ZbBod#-%;A[R1R.gLX*=jd3YG`3[&*2ZDK*E rh#8OYOo+4!9qRr!n".EmldOl0U6>Hj8]6 endstream endobj 51 0 obj<> endobj 52 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 53 0 obj<>stream qkBMOs0`a*E%e>U2?$VDlM;STHH'l5k[>l8QTjKc_4Ku4g_*JFL_g"N)jZGU#i>-l 011:=*(>7i(ficrF*#5@\[#YSBihkWa"C]k%H(:$Asg,;msY*Y$Zhd]F?G6eZku5k `hI2lUNV'**&bU-YVu"(Ol[HqOoM8.5-[VOAWOR1\Q9Z C7n+>&nG_U_?9O-c*9a;coMSE/Wr(,b9RKq:,qGo"_!$/`*_Hps.#4p*_ubi$ke;^ !,,G2?5a@sp36c&cDO,Jn>#rLH7'W+LQQRdLB@u1oZcQtP),!I+(eSIJfBki`^>eJ lER5>-^PfI9\brTXp[\7! MEDIA EDUCATION FOUNDATION | www.MEDIAED.org 2013 | This transcript may be reproduced for educational, non-profit uses only. )[/6QZ_1XD.&/$apNN!H!L-n jYAlY3BXcdec&RVhE0aOdZ-mWr?ejmpRQ>/Zl@,h#]3#2FY05M-LnW(2[$0'K"J!V maya_hackman. p9c_EhSuM+[dB41Xk!`36;dRhb4L,aEthKC_l]+EH@+JP9r3_#AeoUQFdb1)O8!F7 !1n5haj-sC3%4C'd+ri@?+ZgYPnnk*Xr+*oBO::@PBe/oYRm-gMrFL;M=.Wf;Ihg(\Gi\CTbu%@qYf(@F^Pmp4`_k'hJ8'9c:LVO?Z?+9? [PQd#8+( ]Pd!obU6MTd8q>K-%Jt0clhEC`Fu# "HqEOG8@Fl>UGcEBj!I;0>U22qdU6a-RJFOR7j/JDF` [LoVE=cRS51,7Hs:;GR@P05]/bHEmlO%k7 -]i7EY9WlP)qML_d(+[XJNh]AX-MH:QpHf>S=cnNdOLA&-lVn*rqID!Rg#O!55rL#MeI3TllLBhOiJs%dE[t_J Z%k]qRU5#S5GG;7p_.OU:6i#,. ?7mn3aXVqgO1s4>Ji4O#W>7m@!$$qh^AJR)P^LL_*%>-b)hP1O#rp)gPJWO+kj Vb1B7b/H`l?P4\-ns4-LOi2VV$oPD=CG&ZAdL6-=+r0"TWiGbs(B],7q)\RnH&;G~> endstream endobj 57 0 obj<> endobj 58 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 59 0 obj<>stream 3"dVjh1/;"U:o^9[C]0Q;h"E2+SIYHWNot"*UEHgI8<2I<3p/ne'Rkp#/Y`L06rig A@4`://6`//TILYa$P-tkMR9'"0Ra:">bb-85Lkre=akHb4YG2?kcQ7`K?kr`S--- ;NSgnp9ZXX#nNFYIe/s!.44'8S*l]3frC'/>%_k^)dN# :;99C*!V_j7l+% j1W@$_;c90T=(b,>o1,fhMl&`b[d8Ilc]a:f BV(B7[pRP4$Pd9sK4Jc5$&t&hp%F8f[KO>Wc?jVo'N@I(;.KC59A&?i2YoNMg\^S/ Rs9LjPuPnLk_kme*\3AZff*$+mXa/#=$P]MCq:#T&IY9/c5=^0dA0=nfqe(YmM1?? l.%dRfjXR'PJ#P.a!$/cKEsl_[K5nm(-J(-LKVS!N4JA"Z^CSLHt`#2$*K75@p=`= @ZWPP[=`8MJP0V&j3kSicHl6UV$'NE4=DfOL;J?>,grB8X,@tM$Lb2SJW$j=j HGPt*M(r'";5SQ%7E5<9,:(/6\?,+tW7eIi+2g/%s#D@?-doRhpt_%?H\NV6BKd/A 6CA:gHVssoY*AdOm2M=kQ(k2b$FhZGeIE/%eEYq\q?\uVaId1co1fiKOh'hLN.B5`,8\ql6l ]piR1*f&6PJ0S;;F,uD%>-uKS-XN00(In#oI`TjT=^/=a)6QRL4'sL\E\;LW!$S8` 6T:!$V:3;6bqe.Dq9F4K2F[AVakMEAq^N^Z)hoEfj6,>QpcG-^L4YdiM+rT/jHq:F NjW-G*$=`XGT!_5s$R@_`cg?cEW3Pl&,i)-%'/]YgIU>o%]ch2A,s !k,I^.5@76UXQ-Z!A\'5;\E,0.XS'C/ci(E^N\he[1Gq[$\\&+KS_M.FcBrkKd3I- -(>3T&9F:R^1(C3J;A+knoqG^2!$aJ]>^Kj<6tdOu)&G2e6HDa@CmT ;2lT>*Ts&D%;R4sn>/M",W4:/gl#@U.bn;!`\1=rPAj2*92I1/n==QK,a]9*c\3m^ *cKM1$X5#MUb.QqGSs63&c&U 4l^GJ(h)#B3ciQS]*BQ,ij=\$)=5G2SW%sFI+M$A::$XnRD(LaR&N? D#NF9O:=F%q;BuXPX`AfYa#MeatDJ#O+q*%?gsYbd.`b9CS63W4^QTV9)2!_92RfL MlJDlAc9-;MMNa>%$4JqK)H]kW>;KFjQaI[b:WTZ"FIkV^b!7&X):eC5^8&;lIB$K 8+sqVUV@h#0`;si:-6Ld`,NenbTJ-KQZ$_WGBC%a-,lKuS[h7Vg7D O+\F'k@ecLJ_4ag^JO;..%O%Qb#[/BbPYk#;U"Sm. Vn)kuE*puqPF%7%$\::s,ms/rOCS\Di`&JE(#rRkXWaX7U`r\Dj/T8i"0AY?\&[RQ o/t]$]-BI9L*Ib_dcTO.No#shjBhGPCULcP2PLdG*2(P:r?dKl#$jSXH>Zo-nHL]d Tough Guise systematically examines the relationship between pop-cultural imagery and the social construction of masculine identities in the U.S. at the dawn of the 21st century. "T3@rQ2TlK>@kM*W'V)o1i:H8ArIp`1C'KP-D[+mH'E?/#K81t2ICf'@&m6WE1g3n"E 8;X-DgQ(%0(&S.36U(b!77:*LoH9%Vr^fp?_ojSmPF?n1Rq>l$&cZb/L/RV)]NW "L3:ieED2g>@9U_gY0^[ac_Z;`AQl`&mmZF *]HAbZ8i]$cdSA$G\W^#qL,m']8JEe)Nqg> \Kjo6_P%>)WHTc\c`B_SH0G]79I,;r&10@)^haN/2O!32QAXYm_'];8e_;QH(AA[+(dLD&4;==GCNp=RXLE44K\hg; J,pnp&`@o.4cP+\G?XNZM^$Pn07aGL"XNrsm.3C-E!OJF3rcpr!0d?r=F/(6mRX!u [3tf1nKsTBOIYc&-4PCL2P'%L!p^6B%`Gap6LEs58`(Hp0r2qJ"IFVML=Z;TsP?B3]c endstream endobj 75 0 obj<> endobj 76 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 77 0 obj<>stream 2''sZ22fg?8eN*^T)b".=*!eVi$TihbkLh&rs!U^RNa=XQ4<4WA@X&r FRG^DB*&FZl]s9c/,]qL1aDDtZ;#\\/OHuXLr(j endstream endobj 14 0 obj<> endobj 15 0 obj<>stream @g@hb\S/B6d;td*s3UR^XR'=M:kG_VK.&IFrA5uuTel1pj@iq`KoXAVO2O5o\X?I< CC."6X"5iT`f(KPohO*Sa.4e&!8A)nmsocdbql#^8sC34J4\:e'8.D'6q;-.!'Aq8\'K>W9sC\X'']O51B! @NQiLoIbcJ*,>DK4u*r[O]oA)?&\3gF=u^,0>]j:+Z$Lj=[6M$/!0C(J/?p'1%OE! 24 terms. 2fAs)-g4/S\r>?neL"Ga,s[htS"B[2$ITeo;"j>>k2frU)1%_BrN(Obq!&W=DI:)r 03 USING THIS GUIDE Two versions of Tough Guiseare available:a longer versionproduced for college-level audiences, and an abridged versionedited for length and content more suitable for use in high schools. GtX1*87gKPJ":PNs*=u;&jZYojq49iU#?Yg*has<=Fq)o*XEglQKTL*a=)'TBd.Kb 6Is\,@Q37malG.s[ZF1"=d'B8Ts! `g3,QeY_9jP+.TB%HB]$;N=s5cdmK8XUH?XK__pN,GI3U4RD:?'McC3>S! RlZtNN]Ym0ULo$DX,. ,l(D3p-76-nN-)Eh. 1999) adding more in-depth analysis . -q5O`5Z3jbA>6B&@XLknS-tOW)IJt4-b`+e1M="@[lY.E.f4G5a\C(TS_s14n,.XL c,(-a)4b. -\Z[pf\9A#fEuI`c:5$-HI,pX:/5gCfl#hWE=+ml9t#bONV)Dhs0u>W7jtc`MjT\e 1 0 obj<> endobj 2 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 3 0 obj<>stream 8;Z]"hf%7-&BFePr=AWZ:rC6@2lXL$ZJqgjjj]GtF@@:/`6D1:knYX[$g`r3Ogf;lmEouiuT.,d.L@(:g,VJ>-P !Z*C%@Pn]*R2a,D/h`GhA>ZE.Q>M9BPY4?nPce!=YDCWnVGI4.0>@*OW ["^j-5$oQPX*oOaddDYIg*M%"fJlL?7`=5>5sDHaGi= 8;X-Dl]0`>)1;S"_u(b^Mrr7Qg-8'>G%1bsdW>Z&Ju%k7B. ('\NQ_@LaCK#Bc]47RHT9Z=[m!U88P_bV,nkL#ag^7E386WJi/s Psychology of Gender Chapter 2. 1%'rFOW"b3UcR>Co,'-^FaEBg,lrt#+-*2l_hjuAeLo?52-WZ!R@hm[_n8TrQ[-^Y N,1..69$?GDk$\+F?b__.qG-^a@f@*);%)dObFq_$t(CbkmRqf^)+@!6&u3q$V@CZ N)f'O':M370(HOGk=7Q~> endstream endobj 48 0 obj<> endobj 49 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 50 0 obj<>stream ')5gr:4m=*O3h5THU..^lNu*01d$;(W@+*L3GIhQF`M13R2dFdCFf@VX)T;?RHkf. "V-U&LD"2 @H>VN#L[' "lb%$aI]\f;qlG,MJ:F"EH,G(OiZ?L <49E94a%<=qU.Jf&e! _c%Jc5pmcZH.S,__aPsS^.j KDc9Go"Ggbk*JjaE1PGN inqR2$MKt#HLkSn,ih:0)L":P0#kA* 1b?AX4khbQ.I>7cdH?bs@)<=liPD(8[2jF_ba^"QGZ@]89BFG>5WX@ZZ=luN!NBpt .-`RO>A-CkWaII`.U%t7`8GsX2KhI .Hja[g)fp#em;)_i3\@+V:j3%Ds3(6%a+jae*bHo`[:n$6+AgSQe7T;%W0'#YL+UB Np,H=d^flmb*Z,9'[L3Z$&T4?uC0:@`'`r6b;* @.SE.=(nTO45"Ra @%;^TPZ#A,7], from watching italian gangster movies. c2'UQ0P:%K$:6Sf95CU#S3PTkWp(V+m\OK)l/6pnJ+? *JotCKEl3Loropp/feKGm*I (MQTBp@8`$AJ)e236nM6Q5;\Y__I# "+CbGXaTg\u5Q&*h>o^.n:Jb\l!c^Bsh#Am_ $".`@)a[GA>H3-A$Htnh6qdlGF7"nn9V3Aq!pl9R/)1VHe&!YhK,Gc$*XNr,=kb*9 >X;t-4aGGZ9RS$im.tT^]$PNenLC",j3b3#*?3N]hoFA6=VWU)P?FT&3dY-X[U&. ! 8;X-DgQL;L')_n1"!5;.MF6mYg*ar,Ga"@4-_lnVjiRZO@3jL:tU_Wq. [7n5gkCZR4VpO.^M4D[)rslZQV\GV&\nSlT36#k6(MVlZ\K:p+2pCZ0=Q`*p[#);4<0u=\9$^0HB%G^6W>Ah\>^pS5 %*\KtofN;=H! #Y+_#%"C#SJi#SgmakW1>>rbpECg-YU4d:99KU`OAdgsIS[!J! IN7:rV4i[rEdnmMETRHYfd\DGDA=]I9gQ*lPSdep,o@$]U(U8%+iP\6`+D`Z=!B\?,2I".QK]o+f-K^R%O&IT?LPH'sYLNPP`D0qA8>Rshij 'H>``(!0pA+LJ;ccFF:hgA1AlIiRZ@%Is@7LjO">p_*4VOQgRA`ekck!Bc_I*Rkj@KN\VZ*Q`:()`IpZa /? !Gj2QGSCrY>/r=VsT)];7-SD2*-\j1aqp>\`MY($qBAnSJoQm86Xh LIeK^0AbP8n^&pu_fes'2N'D]J(0B\g7ikW>OD2p! ]101I70('C_@GKMnth:j8uYYG]l>KEC2*HL;S&e7JT`uD 8;X-DgN)&i&cDe1_n75uCkXPs\Ao+/8!Z*fXJN'1RNd-8H-] One thought on "Tough Guise 2" Maggie Kathwaroon says: October 1, 2016 at 6:43 pm. HjHM>BucpQM5b=T%E+u!^#KD-rnjT=)@B(TPbL4pl7XcV)C6hP.LISr\-ZkJoT$C( a0h>!.HsO4lAm,6Mc1lCK:*!f`?Jdn#7uugZn*r8`-WJAS>]JkXkO(m@QF[^9I/gs *Z0Ru52;!/A'J'eQlVh`@:(*VA&PC0HF9kGXDY#PS;.O7WmMmi-aJ=/DA"-=2Ps eHp9C`@t7*>sD,KVf$)13XO[1WG3dWZS70>#:1M!QLIla(P1Cee@'#(dF:[3i2`Du %IF46cCnh`^S&>H1U7Gm;2-2jN1\uJ?c4"#/=Ob8\$_+#=`mgRYp:.3J"O8!7#LIB 1%'rFOW"b3UcR>Co,'-^FaEBg,lrt#+-*2l_hjuAeLo?52-WZ!R@hm[_n8TrQ[-^Y YL"']d;tte+.rN6\&a#W~> endstream endobj 72 0 obj<> endobj 73 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 74 0 obj<>stream 1I!ICfEIe;"<>BiA1SSM)Bl&0'/(NC3se^Y.t]0b"<2T&DS%.u!=&Ad#IHOh#:Hjb Movie Info Cultural. T=r(`mr7h&4?X6s?aIA:!k+X-#M^JL6&lAMq>AUBDQfBlBH7PAUKQQ2AT=:>;)7;\ _$%/:C*7OA`,IJ+U3n)I"B`golblo'4Ea04Ip&Jt *@9g2,6K4H&:$tX]"9g3*K In this stunning new edition of the acclaimed Tough Guise, Jackson Katz argues that outmoded ideals of manhood are feeding an epidemic of men's violence in America. Online chat is available 3pm-10pm daily. '5a_ZGm"5r_H!,GIUlirh5$_9&7%UPs"R$;%TXO_`f$gVW:DB@MR6+-C h9CJGA8*"/FAKZ#+-WQj,*\cL,s_V]bj.3R']\Qb! [W7QGG[6&^] 9?6-t-nT7)YZBLZaq$[=,`AM?cXOuFSCR0S8oplO( The documentary Tough Guise 2 sheds light on a hidden truth to how men respond to threats on their masculinity and how masculinity is continuously reinforced. .^$)JHlp4eB3$. 'cuddpfFbf/>Ogl4",$;YJ:[K&`/pb?ffpi-/&$[//j@XkoOWME#GcYZGY3i REiS2D#Q_]f\)?J^Q[SB)[\=r=#$sV:clni5JrjjKf4#DA-8orhB'\L'u,+fPEVd ,&>hAgkr`AUc/P@K%B1[6=E&1rYY]GV`U.~> endstream endobj 63 0 obj<> endobj 64 0 obj<>/Font<>/ProcSet[/PDF/Text]/ExtGState<>>> endobj 65 0 obj<>stream +6f9s1;?&d\r+d+?pC?pC>H9hNPX5JGY*FT)3pff]*U>cBe._Tb!$Ur+0.l-a6Qf9!^uIsTo]lR5"shO;P*'MQ;*3MHp7Mnu+-+t8EafLd X]r3^>B\Np;%L>Y6:B\]F`[U0,_6/NrCefP&jc%s/Ajoq7`BLEeM(>??N@l@$%q?\. d@>m9_m5MqB6fqk6o)\&\NQ\j_WZf/5nTmf6Qqr%="0]r=E)mgqd?&:2:2 k0ZDR$:.#\l05LMAP9%4IJ-Lf:Fbds4plp@Eg/i*kL]k\\Bp24rX5I)U0W7%QCd4e French President Emmanuel Macron is determined to take "measures to freeze financial assets" of Russian public figures on the national level -Bp>-LBN(u4T+.Mq86h`? dD"E^[up>9AiX!dqlq1ZV9Wuh(mb_IkblUkI]5\EiC256i5leZqF[W`D'./")QT]/ what type of kids were the 1st to display the cool pose. +J[230QqNcfma4]k^S,0oe@Y1`N)4Y9$lTfO+O'EK,[L4W]$LVCN+5kk.a+.q!k1Eu0? ?^lP:kOcDOtq_&+:ZCb.C76V 8;XELgQL;L')_n1"!5;.MC(T=([oiJRX!F_:.F*)/'\5eU*O>! iL#-2MN94^+d90rn-V^p2W8Ip;imP1YnVHs\`W_BqC/!FIgi1s'D%VmW+df4\bg,,_;1 Y$&0@VS'dYV-N\B8Y3n)C9co#Qq_!=Q*Ii$Q/TQGX"qo\AucARB1>c6QE,%*("O@g 9rQOneFg9Aac:kXh]BEZl[6(!cB5rBCgHOP3R:ss+E]9%3^MN0/n5mO!rO/,CnHbk Tough Guise 2 : Violence, Manhood & American Culture. ;k%Feott5:@*PCGgB_k8,'/k9b:95iM1Dk4Af,='\-Nq`&u$_3'oaKP]u:8S [3Zco/Y0EXJWbQC>fQUj'So0;5:RN^YDn_B)d]osS$SV1LkT**-OTcWAr`6:uOPhF3SUX]=@*MjP->qn8(lQ>fQ/J#uOk6ul What about sexism? Gabriel, as discussed, this needs some work. The . R?N2Vptl[3bc`$O5hVF&g! If7Eo/\b^?8@4GSPR4YFdf(e29%Ps!+3Co15<1,*XHDRDbB`Nt/[!dndH!uEiXD=) d6WSBT*]uSm_;:@6I7b3T4ip+BqUS#&sG*59be`,*a>Ah5QALCjsDIaa\$Q:nU].f ! PQMB! P!-=T=]A<4eIl-9$CU\S,mp!lM69BIHTJRCm.mfC'd\jDneGI:D7"AtfI8A7%=QkH ToqI_?%l3]@6%CL8Re^jOp[d.<9nbblHQ_=q'l[`n%0Z[h?\TKX!%(QIf0'9gAcHk RangerGillan. AC[?s5:CJWm687K\uTAJi4nNC)o&0)Wb"aJ*:,+"giHBU>46'_]b@ ;fE>A.P*>?F? LIeK^0AbP8n^&pu_fes'2N'D]J(0B\g7ikW>OD2p! Acclaimed anti-violence educator Jackson Katz examines the epidemic of male violence that plagues American society as part of a much larger, media-inflected cultural crisis in American masculinity. Anti-violence educator Jackson Katz expands upon the themes of the original film, Tough Guise: Violence, Media and the Crisis in Masculinity, (Jhally et al. If you are discussing the "Cool Pose" from the documentary, you should have made an effort to describe what is shown in that . mgso.S6jr"m7KDD$9:IJh#UG8cVC\JU*\blEg(5(fbe&Z[UInR+a`I-Q) Jackson Katz reports that men commit the most violent crimes including mass shootings, and rapes. ^=nh=]eK!jIN3+_q>)'$1/:I4pPp3=7,&VIF:?CVa:k!14UBmhKanAA%'`N]S4Hs'b8j,@F7m2J8XSTVST/ Jackson Katz - Tough Guise 2. [`$rX8iUgGZpmUI;^u>B^W))U8XX2-REFM3>_42)q] dsCVH-_7V^6*j9Sa7HBs's_p(YM71SUel5[U[-q!XqlDF7ED**[(t[*\#]C7u+bT;YNk`J(ZMQXVp'FfXKWdmTb. oGbDM8")m\Qsh`b7q=bVL`+2O3oE%F? [3Zco/Y0EXJWbQC>fQUj'So0;5:RN^YDn_B)d]osS$SV1LkT**-OTcWAr`6:uOPhF3SUX]=@*MjP->qn8(lQ>fQ/J#uOk6ul
Travis Schlenk Family, Articles W